Sunday 14th May 2017
2. I’m Coming Back
3. Blues Is My Business
4. I Saw The Light
5. Some Things Just Don’t Change
6. Love On The Wrong Side of Town
7. The City Weeps Tonight
8. Down and Out In New York City
9. Standing In The Line of Fire
10. Saint Valentines Day
11. I Don’t Want To Go Home
12. Ride The Night Away
In my house we always pen ‘Classic Rock Sundays’ in to our weekly routine where we listen to nothing but classic rock for the whole day. It’s the one day of the week we can always guarantee to be in the house and having the opportunity to listen to music from dawn ’til dusk. I have always been a big rock music enthusiast, but when I met my other half quickly realised how lacking my knowledge was of classic rock. Sure I knew my AC/DC from my Def Leppard to my Deep Purple, but there were still many gaps to fill. So with every Sunday that passes I’m certain to add something new to my collection.
So when I was given the new release from Little Steven to review I was very excited. I started playing it and from the other side of the room I hear a voice “that sounds like Bruce Springsteen”. And sure enough here I am being educated about another extremely important artist, with such a huge repertoire and back catalogue. Whilst he’s not busy touring with Bruce Springsteen’s E Street Band, Little Steven is here with his first solo release in almost 2 decades, ‘Soulfire’ which is due for release on the 19th May, and the album features a personal collection of tracks that have been revisted from the length of his career.
“I’ve always been very thematic with my work, very conceptual. I need a big picture, I can’t just do a collection of songs, that doesn’t work for me. In this case the concept became me. Who am I? I’m kind of my own genre at this point. So I tried to pick material that when you add it all up, really represented me. So there are a couple of covers, a couple of new songs, and some of what I feel are the best songs I’ve written and co-written over the years. This record is me doing me.”
Back in February Little Steven announced via social media that a new album was coming, and sure enough he released his first track from the album ‘Saint Valentines Day’ which was originally written for Nancy Sinatra. Unfortunately the session never came off and the track became a hit for The Cocktail Slippers, and now we’re presented with his own take on the track where a horn line has been added to give it more of a soul feel. This was a huge hit for The Cocktail Slippers, but I have to say I’m really enjoying this version just that little bit more.
If you’re a fan of the work that Steven Van Zandt has done with Southside Johnny and the Asbury Dukes then you’re in for a treat as there are a handful of tracks that you should recognise. Heading back to 1977 with LP ‘This Time It’s For Real’ he has taken the successful Motown track ‘Some Things Just Don’t Change’ which he wrote alongside David Ruffin with The Temptations in mind, and taken a turn from the deep soulfulness of the original and given it a more rock and roll vibe. ‘Love On The Wrong Side Of Town’ was co-written with Bruce Springsteen, and being such a definative song was more of a challenge to add his own personal spin. He did after all write, arrange and produce the original version (I do love that piano intro) but he’s been able to find opportunities to change it up slightly.
Alongside the recognisable tracks there are also unheard songs such as ‘I Saw The Light’ which was half written for Richie Sambora & Orianthi, but the next time they met Richie had already written a further 40 songs so this one went unfinished. That was until now when Steven decided to finish the song for himself. Also, ‘The City Weeps Tonight’ was going to be the first song on his first solo album but has remained three-quarters finished all these years until now.
Speaking about his solo career, Steven explains “I felt a bit guilty about having walked away from Little Steven the artist. I left that part of myself behind and I shouldn’t have done that. I let the material down by not continuing to perform it, I betrayed the work and I want to fix that. I didn’t give up on the material – there was a lot of other factors – but I do have a sense of wanting some redemption for it.”
Music discovery for me isn’t just about finding emerging artists, but being introduced to music that has been around for a very long time and becoming aquainted with it. So whilst Little Steven is currently on his own musical journey I am pleased to have found him along the way, because not only do I now have something to introduce my husband to on ‘Classic Rock Sundays’ but ‘Soulfire’ has provided me with a plethora of music from a key era, which includes not only Little Steven himself but the raft of artists he has also worked with.