Wednesday 28th March 2018
Opening up an email late one evening, and listening to the Second Hand Poet came at the perfect time, as I found myself trying to wind down, but wanting to give my emails that one last check. Listening to the mellow and soothing sounds, I found myself instantly unwinding, yet captivated by what I was hearing. The new mini album “Songs For The Pyre” is a collection of songs that have featured on various long vanished demo EP’s, its the mark of Jamie at his most unguarded and brutally honest. On an album which pulls in two directions, from the classical violin and string clad intro and interlude, to the more traditional acoustic guitar-led balladeering. Produced by Franc Cinelli and recorded in London over a two week period, “Songs For The Pyre” uses Jamie’s DIY ethic as a point of departure, adventurously expanding the sonic palette while retaining every bit of its heart and soul.
Hello! Please could you tell me about yourself, how is all started and at what point you decided to make a career out of music?
Hi! I’m Jamie I play folk music under the moniker Second Hand Poet, I began playing music around six years ago and initially formed a band which didn’t work out, when I say didn’t work out we fizzled out before our first booked show! I then went on to play the show by myself, that show scared me into playing alone I think!
Your debut album “Songs For The Pyre” has just been released. How are you finding the response to your music so far?
The response has been very positive! Which is always nice, the record is still in the early stages of promotion so I’m hoping the response stays the same!
How did you find the process of putting the album together, and did you face any hurdles that you had to overcome?
The album has been a very long journey, especially from when the songs were initially written. The first version of ‘Songs For The Pyre’ was actually called ‘Into The Wild’, and was all recorded by myself! I put way too much time into the record and I decided to step back and let it breathe a little bit, which ended up me deciding to re-record the whole thing with a producer in charge rather than myself! Also, a few of the tracks were previously on another EP, which was put out a few years ago on a label, I had to buy back the rights myself to be able to include them on the album, that was definitely a hurdle!
What about the final track listing, were there any tracks that didn’t make the cut?
Definitely yes, I think its a positive and healthy decision being able to ditch something you’re not quite feeling creative wise. A lot of people including myself hang on to works even if they deep down know they probably should have been put to bed a fair while back! Like I said above, the album previously was something very different and the songs I scrapped just didn’t fit as well on the new sound of ‘Songs For The Pyre’.
How do you feel you have developed as an artists since your previous release, and why is now the right time to release your album?
I feel I’ve developed a huge amount from when I first started this, you definitely need to learn from mistakes to get something your proud of in this musical world, for sure. Unless you have someone that’s already gone through it all who happens to be guiding you! I think I was easily entertained with releasing demos and deciding they were good enough for a few years, I wanted to show a bit of love to the songs that appeared on various past demo ep’s by aligning them on a record! The next album will be more thought out… he says.
Who are your biggest influences and how do you draw upon your inspirations when writing and performing?
I’d say the biggest influence was going to live shows at a young age, it’s really easy to get drawn in to the musical world, but really hard to actually be in it. Obviously what I’m listening to during the writing stages sometimes strays in here and there. I’m a huge fan of Elliott Smith and sometimes when I’m winding down from a writing session he’s usually able to make me pick up the guitar again.
Being in the early stages of your music career how are you finding the process, and what was the decision behind wanting self-promote your new album?
The process is hard, there’s so many musicians and so so many platforms readily available. If anything it’s too much. If you don’t have a label to work with, you then have to use the same routine but by yourself, do you hire in a PR company, and if you do hire a PR company do you then use a tour booking agency? I’m a bit tired of seeing other artists use these companies, it just sugar coats your music and presence when in reality the moment they stop getting paid, the campaign for your record does too. I’m trying a more natural approach to promotion at the moment by not only contacting lovely people like yourselves, but also individually the people who actually follow and like my music!
You’ve picked up quite a lot of momentum from the start and performed at quite a few festivals too. What’s been your best live performance to date, and have there been any memorable moments?
Thanks! It’s always nice to play festivals and have promoters who you can call on although sometimes I find festivals a bit detached from the crowd. It’s usually day time with not much atmosphere! For the more sombre music that is… My favorite shows are the ones that are dead quiet! When it’s just you playing your songs to an audience that are completely immersed in those thirty or so minutes.
What are your plans for the year ahead, and what live dates do you currently have lined up?
I’ll be trying to get the album out to as many people as possible still, and also booking in a few live sessions, maybe a single release also! I tend to shy away from playing live as much as I used to, it started to feel like bit of a chore! It’s lovely getting a reaction from people don’t get me wrong, but more times than not if you play too much the excitement tends to disappear. And its lonely playing on your own! There probably will be a few shows this year, and when they do you’ll know I’ve thought long and hard about playing them or not!
Finally, if you were given the opportunity to perform in the BBC Live Lounge, which song would you cover and why?
I think I’d choose a classic, maybe Roy Orbison’s ‘You Got It’ or Slade’s ‘Everyday’, I’m yet to hear them covered in the Live Lounge, but they should be for sure! BBC give me a call?